All posts by zperidakis

24/7; Obsessively Collecting

Throughout my research I realised how much it has taken an emotional toll on me. I am constantly researching, looking up, reading and watching news update after news update. By immersing myself in all of the news I can’t help but feel Obliged to document as much as I can, incorporating it into my work, by using QR codes linked to articles or photos, which I will imbed in my collages. Through constant stimulation I plan to take advantage of news that just at my fingertips on my phone and include the actual screen shots into my work.

These are just some of the large collection that I have seemed to have collected over the past few weeks. (my space below; a visual mind map of all of the articles, artist influences and mental notes I  have collected.) The collecting has been a huge part of my project and is what tends to be my biggest inspiration and main drive to continue to work, on such a hard and emotionally heartbreaking subject to me.

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Bricks and Rubble

These are the latest pieces I have worked on. The sculptures or 3D collages that I played with and rearranged were not permanent; allowing me to try different compositions. I photographed them using a set of professional lighting and DSLR camera in order to achieve detailed photos with a dramatic effect to them. The bricks and branches are found, which are collaged and layered with newspaper cutouts and stamped and painted clay pieces. I glued some bricks together that don’t completely fit together; indicating that when something is broken, you can never fully put it back to normal. This is something I wish to continue to explore and expand on.

Stencil cutout; printing

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This is a cut out I made which says “Even if the world ends tomorrow, today I shall plant a tree”. This is my own exaggerated take on calligraphy based from my handwriting in arabic. I plan to use this stencil on an exposed screen print, for collaging and as possible backgrounds for future works. I felt the phrase could be used with a number of concepts related to the refugees having to remain optimistic and resilient.

I plan to make more similar stencils, to use for spray painting onto the boxes to build up my collages. For the pieces below I used pieces of thin wood I cut up to drag paint across the paper to create an organic mark, similarly to a method of calligraphy which uses larger, flat and solid tools to write.

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I also made beads and stamped letters into small pieces of clay to paint and add onto my collages/sculptures. I used English letters to write phrases or words in both Arabic and English. An aspect of my work that I enjoy; which is that not all can be understood and hopefully leave the viewer with a feeling of unease or curiosity.

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Artist research; Shadi Al Zaqzouq

Shadi Al Zaqzouq was able to turn something hideous and painful into something beautiful again. Although the reality of the bullet holes and shrapnel damage on the building are haunting,  Zaqzouq recreates the famous painting by Gustav Klimt ‘The Kiss’ on the damaged building, using the damage as the detail of the piece. This is something I wish to incorporate in my work; the idea that nothing can ever be fully repaired or fixed once damaged, but still holds sentimental value; which in itself is something beautiful; turning ‘junk’ and found damaged objects into art.

Tammam Azzam's version of Klimt's The Kiss 650

This piece by Zaqzouq is a collection of old cardboard boxes with paintings in the bottom of each to create a large collage of his memories and experiences. I had already started to collage with cardboard boxes, by painting and transferring images onto them using text and pictures from old newspaper articles, when i stumbled across this piece of his. I love the use of the boxes as ‘windows’ into snip-bits of life, as I want my boxes to have this effect of what life is really like for example, behind the Palestinian wall.

windows from gaza shadi al zaqzouq

Personal response; sympathy

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On the left is a poem that says ‘a storm cannot uproot a forest’; which is how I feel anyone experiencing war may feel, tearing homes apart but not the families. On the right are my thoughts that I painted as I listened to music, and after researching. It says things like ‘oh god, oh poor souls, for the love of god someone protect them’.

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The bronze and dark green piece I made is a list of names of some of the thousands of names of children that have been murdered in Palestine recently, alongside their age and what city there were from. On top I stated “they grew up km 166.02 away from me, but never had the chance to”. I did not continue my sentence as I felt there were an endless amount of things that these innocent children, would never get the chance to do.

All of these works were inspired by the pieces that I had done as an emotional response to the articles I read mainly on social media. Videos I watched (ones not normally shared on the news) and music I’d listened to about our generation and the troubles we now face (such as “New Americana” by Halsey). Everything around me recently has been influencing and affecting me emotionally; my art is becoming a way for me to process it all.

Dismaland; protest art + Peter Hapak

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An image of some of the signs that had been collected from protests all around the world. This inspired me to look into art in protests and the power they had all over the world.

After researching I discovered Peter Hapaks article and photography series. He documented portraits of people who had been involved in a protest. Each was interviewed and asked to bring something that was significant and reminded them of the protest. I was inspired by the series and have started to collect objects and save articles that trigger an emotion in me; whether its frustration or pain, and am trying to incorporate this idea of an object having a significant sentimental value that triggers pain.

hapak_lightbox_bouazizi1“Mannoubia Bouazizi, the mother of Tunisian street vendor Mohamed Bouazizi, says, “Mohamed suffered a lot. He worked hard. But when he set fire to himself, it wasn’t about his scales being confiscated. It was about his dignity.”

 

lightbox_hapak_elteneen_solo“El Teneen, a prominent Egyptian graffiti artist, wears a homemade gas mask.”

 

hapak_lightbox_011-640x426“Ahmed Harara is a Cairo dentist who was blinded in one eye by a rubber bullet during clashes in January. In November, he was shot in his other eye. Now he is completely blind. “As they say in America, power of the people will change everything,” Harara says.”

 

hapak_lightbox_egypt_dr_protestor1“Yahi Abdel Shafy, left, is a Salafi and a doctor who works in the field hospital in Tahrir Square. Egyptian protester Saleh Mohamed, right, uses a Maalox mixture on his eyes to counter the effects of tear gas.”

 

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“Egyptian protester Nehal Marei. Right, a tear-gas canister in Egypt.”

 

Printing workshop; collage.

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I attended a workshop with second year students on screen-printing, to find the different ways in which I could build up layers and different textures using a variety of different materials, such as drafting film, India ink and paint markers. This was the first test done with a wide paint marker to build up a bold opaque text. I simply wrote my name in Arabic. I then played with different dark cards and cutouts to block out and create a positive and negative space. I did this so I could have the freedom to play around with the composition of my printed collage.

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I felt inspired to get more into collaging by layering the prints, as well as collaging 3D objects into my pieces. Using different coloured paints and inks, different papers as well as anything that enables me to build up layers such as tracing paper. The bottom right photo is my outcome from the workshop, which has a background, done using different pressures on the squeegee while printing. The text on top that has been printed is what I transferred onto the screen and then over the dry background. I will be trying this more in the future in order to have multiple and unique card to collage with.

 

 

 

Letting it go;

These are pictures of my first pieces of work this year. I have been obsessivly collecting information from ANYWHERE I can about the Middle East and the problems, occupation, wars and pain that is going on there. Whether it be social media sites, newspaper articles, news channels (although take everything mentioned on there with a pinch of salt) and anywhere else I can read/ watch something about it all.

They were done in response to notes I wrote down, after having a long day, a few hours to sit outside alone and think, and let my brain and word-vomit flow onto paper. I was furious and inspired and created these inspired by the thoughts I had jotted down.

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Dismaland; the start.

IMG_4150    This is the piece by Shadi Al Zaqzouq

(a Palestinian) that stopped me in my tracks in Dismaland. I stood silent on my own for a few minutes, staring and processing the power of this oil painting mounted in a tire. I explained what the piece said to friends I had gone with, and others standing close by overheard and became intrigued; realising what the true meaning of the painting was about. The writing on the underwear the unidentifiable bruised and battered girl is holding up, says “get away from me” aimed at a male pronoun.

The power this piece had; with such a simple way of portraying it, is what has really inspired me to do the same thing in my work this year. I want to make people think and FEEL something. I want them to know the truth.

YEAR 3 – Furious.

Never before have I been so upset and angered by the situation in the Middle East, the way I am now.
It makes me furious, my previous work in Uni has always been about things that resinate and really pull at my heart strings; anything to do with home. Growing up in the Middle East has given me a completely different view of life and having moved here to study, I can compare and split the two completely. I find it shocking the way the media portray the news; the ones they do actually bother giving some TV time to that is.

After a visit to Banksys famous Dismaland, I felt inspired and wanted to be able to give my work the ‘umph’ and power that some of the pieces that spoke to me there. I felt like I needed to try my best to give my work a personal meaning and to be able to successfully portray my frustration about the occupation and terrors going on.

The finger is always pointed at the Palestinians for being “offensive” and “aggressive”, throwing rocks at Israeli soldiers; but if we are honest here, how is it okay to fire from a tank “in self defence” from a 7 year old boy throwing a rock?

Why don’t we re-ask that question, why are they throwing rocks? Why is the world silent about the OCCUPATION of the Palestinians in their HOME land.

I don’t get it.     I’m fed up.