3) Contextualizition: Laura Provost & Anne Hardy

Through looking at Laura Provosts work I have decided I will neither be making a minimal or excessively messy environment in my work. Provosts work uses objects to speak for themselves in a composition, which gives a bigger sense to an overall theme throughout the environment. I wish to use the trinkets and found objects in my work, and specifically selected items like the Jordanian and Palestinian headscarfs (culture references), the worry beads (an older generation reference) and evil eyes (superstitious belief reference), all of which allows the viewer to interpret their own narrative from the objects without giving the context of the work away.



Anne Hardys work is similar to Provosts in which they both use objects to fill and create en environment that is surrounded by objects, which each have their own voice, suggesting what the work is about without giving away too much of the context or narrative of the work.

“Anne Hardy’s photographs picture depopulated rooms that suggest surreal fictions. Working in her studio, Hardy builds each of her sets entirely from scratch; a labour-intensive process of constructing an empty room, then developing its interior down to the most minute detail. Using the transient nature of photography, Hardy’s images withhold the actual experience of her environments, allowing our relationship with them to be in our imagination.” Saatchi Gallery website.





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