2) Contextualisation: QR codes; obsessively collecting articles

Part of my research process and the reason for my drive and passion in my practical work has been the articles I read, share, videos I watch, people I speak to, mainly on social media sites. They break my heart but make me feel like I need to be heard and my contribution is sharing this all through my art and to educate and be as honest as possible about the reality of the chaos occurring even as you read this. That is the point I’m trying to make, is right now, as I type this, as you read it, this is all still going on. This is my day to day, it’s heart breaking and I have had many a heated conversation online with people who have other views on the matter, breakdowns and plenty of tears. I grew up with this and this is me documenting it all because I need to, and expressing this all through my art work.

The first photo is one of my studio space wall when I began to save and collect hundreds of articles, images, links, saying, quotes and other random bits of information; anything I could get my hands on related to the issue, so I could give the best and most honest point of view through my work, hopefully influencing others to do the same. Although it changes on nearly a day to day basis, it is a wall where others can constantly find new information, and a visual mind map for myself.

The frustration I feel, I let go of through reacting to these pieces and responding to them through my painting and calligraffiti.

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These are just some examples of the screen shots that I have saved of articles that I have saved and read and shared. As emotionally triggering this can be sometimes, my social media is full of posts like this and I will always make a point of sharing them.

I cannot express my frustration when it comes to doing more in order to help. I have thought and researched and attempted twice to get into the refugee camps back at home in order to just lend a helping hand in any way shape or form; however sadly through plenty of red tape and months of waiting and trying, I was unable to visit. I share my artwork and the articles so I can make others aware of the issues. I feel like my mission is to make others remember that its not ‘us vs. them’ it’s a global community.

Although these are graphic, they are sadly the honest truth.

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1) Contextualisation: Ai Wei Wei

Ai Wei Wei is a Chinese artists known for his installation work regarding social injustice issues. The powerful piece that intrigued me in his work was the one seen below. The 90 tonne iron rods are debris from an earthquake that occurred in China causing thousands of injuries and fatalities, while the Chinese government did not release a report or the names of the victims affected in the catastrophe. The rods were painstakingly straightened by hand and laid out to replicate the contours of the landscape where the earthquake affected. It is described in Guardians article, “It is I think the heaviest work we’ve ever put in our galleries here,” said co-curator Adrian Locke. “Aside from the technical challenge, it is a very sombre and sobering work when you see it, it has this kind of power and silence about it … it bears a real sense of loss of life.”

 

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This is another piece done by Ai Weiwei where he wraps the Columns of Berlin’s Konzerthaus with 14,000 Salvaged Refugee Life Vests.

http://www.thisiscolossal.com/2016/02/ai-weiwei-konzerthaus-refugee-life-vests/

“Although thousands of the life jackets can now be seen in Berlin, this does not begin to account for the thousands of jackets that remain on the shores of the Greek island, pointing to the number of refugees who have passed through the island. Since last December Ai has shared dozens of images of refugees who have come to Lesbos on his personal Instagram account, including this image of a mass of life vests left behind.

The temporary art installation was created for the Cinema for Peace gala which took place February 15, 2016.”

This piece has inspired me to show facts in a shocking format throughout my work, numbers and subtle use of an object in its simplest form, can actually be in my opinion one of the most powerful ways of get an idea across through art.

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1) Documentation: Brick collages updated

These are some photos of my original brick collage which I plan on displaying in my final exhibit at our degree show, which was influenced by the work I created for my gap crit at university. I have used a variety of materials in both parts of this work, like broken pieces of brick that I collaged and tried to ‘fix’, evil eyes (handmade by me and ones made in Palestine, Syria and Jordan), glass pieces, a broken piece of teacup, worry beads, stones and fragile plaster bullets that I made with names of the fragile and innocent victims, on them.

Although all the objects act as symbols in themselves; together I hoped they would be able to represent the “rubble” that remained after the chaos, with trinkets and remains of the home and life before it all. I have been enjoying using the objects and trinkets as contributing factors to my work, each with its own voice and input into my work.

Older work:

Newer work: